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The cover art for this issue is ALONG THE PATH by Stephen Green. The following is a paraphrased and condensed version of part of The Editor's Page, by Richard Chronister: "This art work is on the cover of Mathew Galasso's CD, and is by Stephen Green, a founding member of Accomplice (a rock band) and its singer/songwriter. Stephen is a recent graduate of the California State University, Long Beach, School of Fine Arts. He says that music and art are his primary vehicles of expression and that, for many of his paintings, he often derives inspiration and subject-matter ideas from music." More about Accomplice is available on its website: www.accomplice.com. More about Mathew Galasso is found on his website: www.mjgmusic.com. |
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This issue we feature Ludmila Lazar's entire article, complete with multimedia, "How is your teaching of rhythm affected by your own earliest rhythm learning?" Click on the picture to visit this article. |
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The Magic
Triangle: |
Should siblings study in the same method? |
Barbara Kreader
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The Other
Teacher: |
What do you include on the student's assignment sheet for home practice? |
Elvina Pearce |
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Independence
Day: |
How do you integrate composition and reading? |
Richard Chronister |
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Let's Get
Physical: |
How do you develop a sound technique
with beginning students? |
Scott McBride Smith |
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Partners
in Time: |
Do you perform in your studio recitals? Part II |
Marjorie Wiltse, Dolores Bloodgood, John Bisceglia, Sue Baird, Linda Rohmund, Deborah Yardley Beers |
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The Heart
of the Matter: |
How is your teaching of rhythm affected by your own earliest rhythm learning? |
Ludmila Lazar |
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From the
Inside Out: |
How do you help your students acquire self-confidence? Mapping the way to understanding. |
Rebecca Shockley |
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It's Never Too Late: |
How do you make music theory practical for your adult leisure students? |
Brenda Dillon |
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Putting It All Together: |
When choosing a method for your beginning students, what role does the repertoire play in your decision? Part II |
Helen Canine |
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Tomorrow Today: |
If you had to limit your software library to three titles, what would they be? |
Nancy Ostromencki |
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